note: baka is Japanese for idiot
Today I'll be writing about something that separates my Japanese experience from others: the band. I've done perhaps 5 or 6 bands in the last 10 years, each one carrying different dynamics of personality, interaction and chemistry between the members, ultimately leading to what kind of sound we were able to create. Nothing however could have prepared me for F.I.D., as it has been the greatest collaboration I've had the pleasure to take part in, but at the same time requires the most care, hard work and even multicultural awareness!
(This is starting to sound like a bad PBS special or VH1 documentary, but it gets better I promise.)
I can only repeat myself so many times, but for any random or new readers I joined F.I.D. late 2008, shortly after coming to Japan. The band was originally an all female grindcore act, but they were willing to sacrifice their novelty (which was never their aim in the first place) to get some fresh blood into the equation. Their had a falling out of sorts with the last guitarist, and I filled the gap. Since then it has been a steady uphill climb from 9 months of practicing to old MDs (digital recordings) with no drummer, due to Tomoko's pregnancy, all the way to our recent shows and finally now our writing new songs. It has been a wild ride and I feel like it's still in the early stages. We have all become good friends and there are no egos raging out of control and ruining the creative flow, as has been known to happen amongst bands in the past (firsthand experiences here). I personally have always gotten on well with girls as they tend to be less competitive and self-absorbed than most guys I've met in my life. And they are after all Japanese no less, but attitudes take it beyond all that gender and ethnicity stuff: These girls are in it for the right reasons, namely to write music, play it and have fun. That is first and foremost I love this band.
But it's not all ice cream cupcakes and puppy dogs in the park; Nothing worth doing is easy after all. Anyone who has been in a band knows that to practice every weekend is a lot harder than it sounds, not to mention other sacrifices of free time, energy and finances that come into play. Me and the drummer both travel about an hour to practice every Sunday - carrying our instruments on the subway, which for me took some getting used to but I do like it better than lugging stacks of speakers in my jeep..... though I miss my 5150 and mesa-boogie pre-amp combos!!! Sigh.
And then there is language. Oh what fun it is to interact with people from other cultures, but what a challenge it can be as well. The majority of our dialogues are all in Japanese, and the singer Makiko is the only one who speaks English at a nearly fluent level, hence some things going over my head, some misunderstandings, etc. (not to mention countless times I have to ask Maki to explain what the hell everyone is talking about) If I had a yen coin for every time I wanted to say something simple like: "Ok stop here, then put it some kind of fill, whatever you feel fits and then we will all come back in together for 3 measures until the wawowaw part," but was stopped dead in my tracks by a language barrier, I would have lots and lots of little yens. Granted my Japanese is decent, so I try my best to convey these in my second language, but it's tough and can also (if not often) be difficult to communicate sometimes even the simplest of things. I do greatly enjoy it on the whole, and we definitely make it through, things just take longer.
This segues nicely into another cultural point: Japanese people tend to speak in a vague and roundabout manner and as such are often typified (and not without reason) as indecisive by Western people. I've had my share of Japanese cultural experiences just living here - memories of prolonged conversations to achieve the simplest ends at the bank or the post office come to mind - but nothing compares to the band dynamics. The main difference between this band and my experiences in America is that everything is considered thoroughly before it's acted upon. For example, if I say: "We should speed up that part, what do you think?" It may result in a 5-10 minute debate before we actually just play the part and see how it sounds. While this isn't inherently bad - putting thought into things instead of charging pell-mell into them has merits - it doesn't exactly make for the timeliest song writing. I often find myself (and to be fair sometimes my bandmates are the ones to say it too) saying yattemiyo (let's try it and see). I feel the need to throw around my hasty and arrogant American bluntness at times, while others I flow with the girls in a more Japanese state of mind pertaining to caution, detail and delivery. A mix of both has a lot of virtue I think.
I have to say, it is entirely too cute when Tomoko - who on the surface appears to be the sweetest, most innocent and harmless looking lady you could ever meet - and us are discussing a song, and something comes up like: "you can put a quick fill in there before the next part!" She will sit there and ponder, drum stick or hand lightly touching the chin in a thoughtful manner before blasting out something completely amazing. Kana as well, sometimes a bit fuzzy from doing other band practices, a brutal 6 day work week full of overtime or a late-night drinking party will always put in 110%. She is a bit more tom-boyish, often using the pronoun boku to refer to herself, which is something only tomboys and musicians do and I think is individualistic and also very cute (Japanese are good at the cute thing). She is so much the opposite of Tomoko's seemingly traditional sense of self that it makes for interesting times and great writing. Case in point: Tomoko wasn't 100% after not playing drums for like a year (and who would be after a pregnancy, that's some hardcore stuff!) and I said one day something along the lines of: "Hey, your drumming skills are really coming back eh!" Which doesn't sound so bad in English but was much MUCH too direct and rude in Japanese, to which Kanako said dare omae? (Who the hell do you think you are?) And we all burst out laughing. In fact we have fun interactions like this quite often, and it helps to keep things fresh and interesting when playing a song for the 20th time in one day wears us down.
In closing, let it be known I am in a band with some very talented people and am far luckier than I deserve in that respect. I know I am not a great guitar player, however I am confident in my ability to construct good songs and churn out somewhat original or unexpected ideas. This goes a long way and will ultimately make F.I.D. a stronger band with broader horizons than before, while still maintaining the intensity that it has come to be associated with in the underground music arena.
Whatsoever it comes to in the future - playing shows in Tokyo, recording, possibly even traveling abroad to play a festival or 2 - I am having too much fun to stop any time soon. And I believe the girls feel the same. That is we work our hardest to achieve BBB - Bilingual Baka Band!!
"She she she she's a bombshell" - Operation Ivy
"So you're saying that girls only listen to ballads and love songs? The girls that I know wouldn't think so. But according to you a song should separate all the girls from the boys" - Polar Bear Club
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