This week's CD comes with a funny story about how I first heard this band! So even if you aren't interested in the hardcore tunes, this is worth a read:
In 2003, I was way into the hardcore band Death Threat from Connecticut, and I still am now, actually (even though they've broken up and reunited exactly 4912 times). So when I heard they were playing in Rhode Island, I made plans with some friends to go. Long story short, it was some of the worst rain storms I have ever been through, and at the time I didn't have a license, so this girl named Danielle drove. Now she is a good driver and all, but when visibility is so bad that passing semi-trucks looks like going through a carwash, you start to get a little nervous. When you pass 4 lanes to the right without a blinker or seeing the lines on the road, you may get a little antsy. Long story short (TOO LATE!), what should have been a 3 hour drive took almost 5 hours. When we finally got there, 4 of us couldn't even get in because it was 18 and up, even though the flier had said "all ages." Those 4 dudes sat sad and lonely in the pizza shop, being taunted by the ability to hear all the bands through the walls, while the other 5 of us went in (2 cars had came). Those 4 weren't the only ones upset by this sudden change in venue policy, which was apparently related to liability and insurance issues, but there were about a dozen young-looking kids outside who tried to break in by means of an old freight elevator. They failed miserably, so I talked to them while I was outside in between bands. When I asked who they were there to see, they said "Have Heart," which surprised me. Have Heart at the time was a new, fairly small-time band from Massachusetts, the hardest state to spell in the entire US of A. One of the reasons they had failed to break in was because there were 5 opening acts, and the room was almost empty for Have Heart, so it was kind of obvious that they were there. Regardless, I watched them and was mildly impressed, later downloaded their demo and thought it was complete shit. Posi, youthcrew-style hardcore that has been done a million times over, with trite and boring messages about staying true and straight edge and blah-dee-blah-blah. The production was also terrible.
Fast forward 5 years. Have Heart is now relatively big, on Bridge 9 Records which is a label I have seen change bands for the worse (namely Death Before Dishonor). Not liking B9 too much, and having a negative opinion about this band to begin with, I hadn't listened to them in years. I had avoided them like the plague, and now as it turns out they are touring Japan with Shipwreck A.D. and Loyal to the Grave, both great hardcore acts. Of course I'm going to see them when they play Shinjuku tomorrow, and I figured that if I'm paying $20, I might as well check out the new Have Heart record to see if I could enjoy it at all. As you have probably already deduced, it blew me away. Passionate lyrics, and an actual theme album really caught my attention; That theme being remembering a troublesome childhood and coping with issues such as coming of age, boyhood versus manhood and understanding the vast amount of needs and wants that exist in the world besides yours, as we are all "under the same sky." Indeed, the record begins with lyrics like: "there's more to life than the boy in that mirror," and ends with the equally emotionally volatile:
"Sisters starving, brothers begging.
Mothers mourning, fathers folding
When I look in the mirror I see:
A boy not a man...
The fortunate son who dwells in the city,
with the poorest of the poor, still, I ask for your pity"
I usually don't like to quote so heavily, but I really enjoy and relate with what this guy is saying. And just that connection is something that is quite rare. A band can play great music, sure, but does it really mean something?
Speaking of music, this whole record kicks. It's fast when in needs be and takes enough breaks to maintain a level of dynamics that keep it interesting. The chanting is mixed very well at the beginning and end of the cd for a feeling of coming full circle, and overall the production is excellent. The riffing is also varied and interesting, huge leaps and bounds ahead of the boring stuff these guys used to play. The band has really matured with this record, and great music makes a great foundation for vocals, which can either make or break a band in my humble opinion. Luckily for me and you, fellow listeners, the singer is harsh and engaging in a way that makes you want to keep listening. All in all, definitely worth a listen.
Oh, and to wrap up the earlier story, Death Threat was great as expected. They are a fun band with prolific lyrics like: "Hardcore is what we're all about, drinking smokin' weed and fuckin' hangin' out!" Afterwards Murphy's Law played until last call, I saw a guy drink beer out of a tuba, and needless to say we were all exhausted and the kids in the pizza shop were extra grouchy. Luckily I went back home in the happy car. It was still raining terribly, and we almost died about 5 more times. I specifically remember Danielle taking a wrong turn down a one way street and almost running into a taxi cab at 5:30 in the morning. Ah, memories.
More posts coming soon, I got a 3-day weekend thanks to Respect for the Elderly Day!
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